On then, to Angkor Wat itself, star of the show - but in reality, only a small starring role. The best preserved of the whole set of buildings, the most crowded and possibly the least atmospheric, it was nevertheless breathtaking with so many finely preserved bas relief carvings still in place.

How's this for a repeat pattern? The bas relief along this, the Eastern gallery depicts the churning of the sea of milk, one of four galleries showing Hindu myths and Khmer history. All were patiently explained and features pointed out, for which we were very grateful - we loved seeing the small details in particular and were not only amazed at how finely the carvings had been done but also how well preserved they are.

Almost every square inch was carved with the most intricate patterns and motifs and many remain complete. The lack of colour highlights the work particularly well, we think.

So when there's a sudden burst of saffron, orange and hot pink, it quite takes the breath away - as here, in a small temple with a rather special buddha.

So many wonderful corners to explore, to delight and to try to record. Impossible, really.